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1.
Ofrenda 04:35
2.
Ritual 06:00
3.
Ayni 05:29
4.
Palpa 03:58
5.
Paracas 02:00
6.
Duna 03:52
7.
8.

about

This musical production has been developed as part of the NASCA exhibition (Museo de Arte Lima 2017, Museo Rietberg Zúrich 2017-2018, Bundeskunsthalle Bonn 2018, Espacio Fundación Telefónica, Madrid 2019) and intends to awaken the senses and tune in with the pre-Hispanic legacy, thus transmitting a new insight into Nasca. This production has been recorded using original Nasca antaras or pan-flutes dating back to 200 B.C. - 650 D.C. Replica antaras also were recorded as diverse musical instruments used in pre-Hispanic times, such as quenas, quenillas, drums, rattles, whistling vessels among other instruments.

Esta producción musical se desarrolla en el marco de la exposición NASCA (Museo de Arte Lima 2017, Museo Rietberg Zúrich 2017-2018, Bundeskunsthalle Bonn 2018, Espacio Fundación Telefónica, Madrid 2019) y tiene la intención de sensibilizar y sintonizar con el legado cultural prehispánico, y así transmitir una nueva mirada hacia la cultura Nasca. Para la producción de este material se ha registrado sonidos de antaras originales que datan entre 200 A.C. - 650 D.C. como también se usaron antaras replicas Nasca. Suenan quenillas, tambores, silbatos, vasijas silbadoras, sonajas entre otros instrumentos musicales que fueron utilizados en época prehispánica.

credits

released June 20, 2017

Composed and recorded: Fred Clarke Alvarez & Ronald Sanchez Pacheco.
Mastering: Tomás Gistau
Cover Image by Alfonso Casabonne
Layout & Design by MALI


Fred Clarke – Antaras, drums, whistling vessels, synths, rattles & shakers.
Ronald Sanchez – Antaras, synths, sound design and production.
Carlos Carty – Antara in track 3 & 5.
Eloy Uribe – Antara in track 6.

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about

Fred Clarke Alvarez California

Fred Clarke Alvarez (Peru) music medicine facilitator, integrative coach, researcher of Andean-Amazonian medicine traditions, multi-instrumentalist. I've been exploring the shamanic world since 1998. I learned to play traditional and pre-hispanic instruments, some of them unknown in the Western world. The resulting dialogues further reflects the vision of music as medicine. ... more

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